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Close is the hidden anxiety. I don’t understand it. It’s really anxious. As a gift for the 25th anniversary of the establishment of diplomatic relations between China and South Korea. This “invisible aggression: closeness” exhibition can be said to be very low-key. It is painstaking to find an accurate location. Huizhi Building is across the street from the Shanghai Film Museum. The podium elevator is located on the right side of the entrance. The 3rd floor is the Korean Cultural Institute in Shanghai. When I went there, there was no one. The word "close" was rich in connotation and temperature, hiding a sense of restlessness and hesitation. For example, a blue-clad woman sitting in a chair with a defensive posture, a smirking Korean guy with a smirk, a full of vegetable wheels with a "great my country" ofo, a patchwork of chopping nails, and colorful abstract graffiti. The short film in the pavilion revolves around the familiar streets in footsteps to explain that a person who only takes stock of the treasures they have found, but ignores the exact location where they once stored today, and deceives himself with the greatest value he should have. In this sense, investors are far less critical of their reporting than of real memory, and it is precisely he who acquired ownership of the memory at this location.
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Close is the hidden anxiety. I don’t understand it. It’s really anxious. As a gift for the 25th anniversary of the establishment of diplomatic relations between China and South Korea. This “invisible aggression: closeness” exhibition can be said to be very low-key. It is painstaking to find an accurate location. Huizhi Building is across the street from the Shanghai Film Museum. The podium elevator is located on the right side of the entrance. The 3rd floor is the Korean Cultural Institute in Shanghai. When I went there, there was no one. The word "close" was rich in connotation and temperature, hiding a sense of restlessness and hesitation. For example, a blue-clad woman sitting in a chair with a defensive posture, a smirking Korean guy with a smirk, a full of vegetable wheels with a "great my country" ofo, a patchwork of chopping nails, and colorful abstract graffiti. The short film in the pavilion revolves around the familiar streets in footsteps to explain that a person who only takes stock of the treasures they have found, but ignores the exact location where they once stored today, and deceives himself with the greatest value he should have. In this sense, investors are far less critical of their reporting than of real memory, and it is precisely he who acquired ownership of the memory at this location.
The Korean Cultural Academy is very good and often has activities.
Very good, the Korean Cultural Academy has a movie screening.
It is similar to the Confucius Institute in China. It is currently available in Beijing and Shanghai. It promotes Korean culture. You can watch Korean movies for free on a regular basis. You can make an appointment to study Korean cuisine. Korean traditional music appreciation, and there is a chance to see cultural propaganda ambassadors. To be honest, there are many forms. Many people are interested, and this is something we have to learn about cultural propaganda and inheritance.
It's still worth seeing here, it's quite distinctive.