Bada Gallery

The first time I saw Meng Xiaoyang's work was in the eight major galleries. I was attracted by the temperament of the helium at that time. All of this was like returning to the scene seen in the time machine in the 1980s. It was so familiar and so strange. I took a serious life and tried to look forward to it.

I was in a hurry when I went to M50 that day, thinking about going to Qianshu quickly. Even if the time is so tight, the exhibition I want to see the most is still not missed. Guo Dian's performance is one of them. It's a bit funny and absurd. Looking at it carefully, it's a hundred states of Yunyun's beings. I don't know why, it seems a bit heavy.

The current exhibition of the eight galleries does not understand, the impression is still the first time in the eight majors to see this style of work, so that I thought I mistakenly entered the "five five" gallery. Watching the exhibition needs to be touched, seeing the good-looking want to continue to look good-looking, seeing the bad-looking, thinking about looking good neutral.

The exhibition before the eight galleries liked it very much, but this time the ...... exhibition is as its name: "?" What is the picture? I don't understand ～～ like Figure 1 ⃣️, the color of the wall does not know why it is also divided into color layers. The only favorite word in the guide: "the moment the painting is completed, it seems that a specific emotion can be sealed." - Liang Haojie

The exhibition hall is filled with old-fashioned tables and chairs, with old-fashioned hot water bottles, enamel cups and telephones, as if back in the 1980s. The works on the wall are also full of memories of artists, the color of the works is low saturation, not only does not make people feel gloomy, but instead produces a strand of warmth and hope, which makes people involuntarily quiet down and savor. The works that I like very much are “human”, “red” and “school love.”