Anshun Batik Museum Review

Batik is quite popular among the women of the Miao Buyi ethnic group in Anshun. The Miao pattern has a historical book nature, like armor, like text, or freehand, or abstract, and you can follow it; the Buyi people are mostly totem patterns, with sun patterns, cloud and thunder patterns, back patterns, copper drum patterns, continuous symmetry, simple and elegant. Watt dyeing fabrics are commonly used as dresses, waistlines, sheets, back fans, tents, bags, hats, fashions. All kinds of waxing crafts are the fashion pursued by Chinese and foreign tourists.

The batik museum can only be said to be worth a visit. There are a few famous ethnic characteristics and traditional classics. [Cost-effective] relatively high, free to enter. [Fun] Fashion is insufficient [View] I don't like the bad taste of ethnic characteristics.

Anshun is a place of batik, but unfortunately this museum is a bit of a pearl, and someone has to bring it. The skills and exquisiteness of the exhibits are shocking! The price is also cheap, it is worth visiting!

Anshun Batik Museum selected dozens of precious batik treasures, so that ancient folk art and more than 600 years of ancient buildings complement each other, so that this "Eastern ancient art flower" bloom more brilliant.

Anshun Batik Museum exhibits nearly 100 pieces of Batik Cultural Relics from all over the province, including boutiques from the 1950s and 1960s, as well as exquisite modern Batik crafts --- "Oriental First Dye", "Batik Township", the main and secondary, fresh and natural, long history, national color, Flowers of art, unique charm!

Guizhou Batik Culture Museum was the predecessor of the "Guizhou Batik Culture Exhibition" organized by the Provincial Department of Culture. The museum is the Confucian Temple of Anshunfu, a key cultural relics protection unit in Guizhou Province. Batik is an ancient folk traditional hand-painted and dyed art in China, with a long history. At least in the Qin and Han eras, the ancestors of the Miao, Yuan, and Buyi ethnic minorities in the southwest region have invented and mastered batik technology. This technology was further developed in the later generations and was preserved in the minority areas of Guizhou, and has been circulating to this day. The wax pattern has a strong national color, and is a national art wonder with rich characteristics in China.

More distinctive museum, fortunately visited once