Zhejiang Museum Qingci Xieying

Zhejiang is the hometown of porcelain, Longquan kiln and Yue kiln are the representatives. The Gushan Hall area of Zhejiang Provincial Museum focuses on the development of Zhejiang Province in the field of pottery and porcelain, which provides a way for future generations to understand the national essence of China.

In Hangzhou's famous West Lake Gushan Scenic Area, there is a museum that looks a little dilapidated-Zhejiang Museum Gushan Hall District, which is small but contains many characteristic cultural relics. The entire Gushan Hall area contains Wenlan Pavilion, "Huang Binhong Painting and Calligraphy Exhibition", "Changshuhong Oil Painting Exhibition", "Leifeng Tower Cultural Relics Exhibition", "lacquerware Exhibition", etc. If which exhibition hall represents Zhejiang characteristics the most, then it must not be "Kunshan Pianyu Ancient Ceramics Hall". As the birthplace of world-famous porcelain and the hometown of celadon, Zhejiang ancient ceramic production can be described as a long history, in the long years have born many famous porcelain kilns and boutique porcelain, can be called an ancient Chinese porcelain in a wonderful. The ceramic museum is located in the middle of the Gushan Hall area of Zhejiang Provincial Museum, so you can see its existence as soon as you step into the gate. The whole exhibition hall contains three floors, displaying more than 400 pieces of ancient porcelain in Zhejiang, presenting Zhejiang's famous porcelain kiln - Yue Kiln, Qingquan Kiln, Deqing Kiln, Tongzi Kiln, Southern Song Dynasty official kiln, etc. When you enjoy these porcelain, you will definitely look at Zhejiang porcelain culture. Due to the large number of cultural relics, it is impossible to appreciate one by one in a short time. The focus can be paid attention to the following collections of porcelain: paragraph 1: The celadon lion-shaped porcelain in the west Jinyue kiln can be said that the porcelain in the east and west Jins is mainly the most distinctive and representative of the porcelain in the east and west Jins, and the characteristics are also relatively obvious. On the one hand, the glaze is thick and weighed, the color is gray, and the surface decoration is more diverse. In addition to the grid flailing, like dancers, prayer people, Buddha statues, etc. are often more classic patterns. The portrait is also more characteristic of the times, such as the use of animals as the shape of most, bear shape, dragon head, tiger head, chicken head, sheep, etc. are very common, such as the first Western Jinyue kiln celadon lion shape device I would recommend, is the typical representative of the two Jin period celadon. Let's take a closer look at this porcelain, the lion-shaped head is held up, four feet on the ground, showing a sense of majesty. Section 2: The East Jin Yue Kiln celadon sheep is the same as the lion-shaped celadon sheep mentioned earlier. This Dongjin Yue Kiln celadon sheep is also one of the porcelains that are very representative of the two Jin period. It can be said that there are many celadon sheep in the same period in the domestic museum, and many porcelain production craftsmanship is exquisite, and the status of the tomb owner is not low. It can be seen that the people of the power and nobles loved such celadon. If you look at the cultural relics, the celadon sheep are held high, the head is big corner, the mouth is wide, the eyes are wide, and the body is kneeling. The whole celadon is elegant and lifelike, which is the peak of the kiln. Section 3: East Han Dynasty Zhangzhou Kiln Celadon Plastic Tank This is an unearthed in Wuyi East Han porcelain, carefully looked at the words divided into two layers, focusing on the upper layer of five small cans, the upper half of the tank made a deep-nosed high-nosed stubble shape, five gongs playing different musical instruments, The Hu people who play acrobatic tricks can also be seen on both sides of the largest Hus in the middle. This instrument can be learned that Hus have been integrated into the life of the Han people in the early East Han Dynasty. Section 4: The black ink smoker from the East Jin Dynasty of the Deqing Kiln in the East Jin Dynasty is a national cultural relics. If you look at the porcelain carefully, you can see that it contains two parts, the furnace body and the base. Focus on the top half of the furnace body, the four walls of the furnace body have small round holes and triangular holes, forming the beauty of geometric lines, using the dark glaze color, the overall look simple but practical and beautiful organic combination. Section 5: North Song Longquan Kiln Celadon Five-tube bottle This Northern Song Longquan Kiln porcelain is a national second-level cultural relics, and then with a beautiful image to let me like. If you look at the cultural relics carefully, you can see that the top is a porcelain cover, composed of lotus buds and lotus cover. The second level of the body has five tubes, the bottom part depicts the double back lotus, you can see that this porcelain uses a lotus flower statue, it can be seen that the porcelain of the Northern Song Dynasty also integrates Buddhist culture. It can be said that Zhejiang is the birthplace of porcelain and the place where the famous kilns came out, and it is also the starting point of the world of porcelain production technology. Now when we come to the Zhejiang Provincial Museum, we can still feel this glory. (Author: Horse and stop, life is walking, journey needs to be recorded!)