In January 1986, in the basement of a block of flats in the Madrid neighbourhood of Chamberí, Maite Arratibel, Celia García Bravo, Nacho Pérez de la Paz and Pedro Roldán founded an alternative art space christened, ironically, Galería Nacional. At the same time, in January of that same year, Manuel Saiz launched the Postal Service for Multiple Exhibitions and Propaganda, a postal art initiative presented as “an unorthodox magazine, in which the pages and articles are received one by one and separately, a gallery that in each delivery will show a work to the viewer’s home and not the other way around.” According to the editorial note, simply and plainly, “a wedge of artistic opposition.” A radical collaborative project that, months later, would merge with the critical spirit of the partners and friends of the Galería Nacional, where Manuel Saiz arrived guided by Julio Jara, a colleague in exhibitions at the Villalar gallery and an early collaborator in both projects. It was from this meeting, and together with the contributions of other artists and theorists such as Javier Colis, José Díaz Cuyás, Celia Martín, Pamen Pereira or Alberto Vidarte, when they decided to unite both independent initiatives in a common project: GENE, a gallery of collective production that publishes multiples in postcard format.

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Leaving the Prado Museum in Madrid, I remembered a sentence that I must write in my short essay after the spring outing: I reluctantly went home. Here I feasted on Goya&#39;s feast, couldn&#39;t figure out the painting perspective of Vel&aacute;zquez&#39;s maidens, and felt the strength of Caravaggio&#39;s muscles when he was fighting. The museum has strict security checks and you can&#39;t bring food and drinks in. If you bring them, you can store them. The museum has a coffee and light meal restaurant.

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how to say! If you can accept this culture, you must come, if you feel too cruel, don&#39;t look at it, don&#39;t find yourself unhappy! Really bloody, very cruel, butt sitting pain! There is a rented cushion at the door, 3 euros a game

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There are more people than in Praha, mainly modern and contemporary art, you can see a lot of Cubism and Surrealism art, Guernica is very shocking, because there are not many people, so the experience is particularly good. Highly recommended.

GENE Topía y revolución: 1986-1988 | Museo Nacional Centro de Arte Reina Sofía

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Mandarin Oriental Ritz, Madrid

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Santiago Bernabéu Stadium

Las Ventas Bullring

GENE Topía y revolución: 1986-1988 | Museo Nacional Centro de Arte Reina Sofía

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Book Tickets

Museo Nacional Centro de Arte Reina Sofía

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Are you interested in GENE Topía y revolución: 1986-1988?

Recommended Products for GENE Topía y revolución: 1986-1988 | Museo Nacional Centro de Arte Reina Sofía

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Mandarin Oriental Ritz, Madrid

Four Seasons Hotel Madrid

Royal Palace of Madrid

Prado Museum

Rosewood Villa Magna

Gran Hotel Inglés - the Leading Hotels of the World

Santo Mauro, a Luxury Collection Hotel, Madrid

Santiago Bernabéu Stadium

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