Flat | Miami

Events

1103 Biscayne Blvd, Miami, FL 33132, United States

Miami-born artist Woody De Othello presents coming forth by day, a new series of ceramic and wood sculptures, tiled wall works, and a large-scale bronze that explore the primordial relationship between body, earth, and spirit. The immersive installation will feature grounding natural materials such as clay-painted walls and subtle herbal scents. Rooted in precolonial and diasporic African traditions, Othello draws inspiration from spiritual practices, hermetic philosophy, and cultural artifacts—including nkisi power figures, Dogon ritual objects, and Egyptian pyramids. His anthropomorphic sculptures, with their richly glazed surfaces, suggest a quiet vitality—the forms appear to lean, rest, or embrace, as if shaped by the weight of memory and emotion. Known for his hand-built ceramics, Othello animates everyday objects—clocks, mirrors, phones, vessels—blurring the line between body and object. In doing so, he highlights the ways we feel, emote, and communicate, while revealing the unseen forces that shape our daily lives. As Othello’s first solo museum exhibition in Miami, coming forth by day reflects his deep connection to the city and his ongoing exploration of his ancestral heritage. Through material experimentation and sculptural gesture, the exhibition considers how objects carry history, absorb meaning, and serve as vessels for both spiritual and emotional experience.

Events

Perez Art Museum Miami, Biscayne Boulevard, Miami, Florida, USA

Cecilia Vicuña is a poet and artist who grew up in the Chilean commune of La Florida, in the Maipo Valley. Born to a family of artists and intellectuals, Vicuña grew up hearing about the persecution and incarceration of individuals who struggled for social justice in the wake of increasingly conservative government agendas. While attending the Slade School of Fine Art in London on a British Council Award in 1972–73, a coup d’état led by General Augusto Pinochet, commander-in-chief of the Chilean army, ushered in a seventeen-year military dictatorship. This led Vicuña to remain in London on a self-imposed exile, where she exhibited her work at the Institute of Contemporary Arts and published her first book, Saborami (1973). At the time, she was largely focused on political activism directed against fascism and human rights violations in Chile and other countries.

Events

Kaseya Center, Miami, FL, US

The Miami Heat, established in 1988 and based in Miami, Florida, USA, play their home games at Kaseya Center. The Heat have won the NBA Championship three times, in 2006, 2012, and 2013. Current key players include Jimmy Butler. The Atlanta Hawks, established in 1946 and based in Atlanta, Georgia, USA, play their home games at State Farm Arena. The Hawks won the NBA Championship in 1958. Current key players include Trae Young and Jalen Johnson.

Events

Hard Rock Stadium

Bruno Mars The Romantic Tour In Miami 2026 marks a highly anticipated stop on the acclaimed artist’s fifth headlining concert tour, supporting his fourth studio album, *The Romantic* (2026). Set to take place on September 19, 2026, at the iconic Hard Rock Stadium, this event promises an unforgettable evening in Miami. Following the album’s announcement in early January 2026—when Bruno Mars revealed the title, cover art, and lead single “I Just Might“—the tour was unveiled as his first all-stadium North American and European run since his 2022–2024 Bruno Mars Live tour. Notably, this will be Mars’ first live performance since concluding his Park MGM residency in 2025. The Romantic Tour features special opening acts including Anderson .Paak (performing as DJ Pee .Wee), Leon Thomas, Victoria Monét, and Raye, adding further excitement to the lineup. Beginning in Las Vegas on April 10, 2026, and wrapping up in Vancouver on October 14, 2026, the tour is set to captivate audiences with its blend of soulful melodies and dynamic stage presence. As one of the most anticipated musical events of the year, Bruno Mars The Romantic Tour In Miami 2026 stands out as a must-see occasion for fans and music enthusiasts alike.

Events

Perez Art Museum Miami, Biscayne Boulevard, Miami, Florida, USA

One Becomes Many explores the enduring legacies that transcend generations in the works of ten Black Brazilian artists. Through traditional motifs, geometric abstractions, and a deep reverence for Brazilian culture, these artists offer glimpses into a world where resilience is not merely a trait but a sacred inheritance. Central to the exhibition is candomblé—the Afro-Brazilian religion that draws on traditions of West African ethnic groups such as the Yoruba, Fon, and Bantu, as well as some aspects Roman Catholicism. Inspired by ritual practices, these artists pay homage to deities and ancestral spirits, exuding divine potency and wisdom in their works. The reimagined symbolic imagery from candomblé serves as a visual testament to the strength of a people who have endured, persisted, and thrived.

Events

1103 Biscayne Blvd, Miami, FL 33132, United States

Memory serves as the bridge between life’s fleeting moments and our ongoing formation of a sense of self—shaping our identity and anchoring us to the past. In the constant interplay of remembering and forgetting, life becomes a series of fragmented recollections that define how we exist in time and how we confront the inevitability of death. Fragments of Time: Selections from PAMM’s Collection draws on video works from the museum’s permanent collection to explore how artists reflect on the passage of time, the nature of memory, and humanity’s enduring search for life’s meaning. Through works that address reflection, loss, transformation, and the evolution of personal and collective memory, the exhibition considers how moments—both remembered and forgotten—shape our understanding of ourselves. Themes include Alzheimer’s disease, explored through Elizabeth Cerejido and Mark A. Koven’s Absence Series: Rocking Chair (2002) and Autumn Casey’s Elysian Fields (2014); the role of shared cultural memory in Glenda León’s Canalización (2014); the erosion of innocence in Hernan Bas’s Fragile Moments (2003); and the fragility of memory in the digital era in Jack Strange’s Into a Puff of Virtual Smoke (2008). Together, these works invite viewers to reflect on the fragile, transformative power of memory in shaping human experience.

Events

1103 Biscayne Blvd, Miami, FL 33132, United States Pérez Art Museum Miami

This exhibition brings together female artists from the PAMM collection who use photography and printmaking to reflect on the subtle imprints left by memory and life experiences. The exhibition title hints at the duality of these works: on the one hand, the shadows captured by the lens are like echoes; on the other hand, the prints concretize these material imprints.

Events

3251 South Miami Ave. Miami Fl. 33129

Headwind by Susanne Schirato explores the dynamic relationship between human activity and the environment. This outdoor, site-specific installation evokes a school of fish formation through blue-dyed windsocks that shift direction with the wind. Schirato draws from environmental art traditions to transform root-like forms into wind-filled figures that gesture toward systems of power. The poetic ambiguity of the word windsock—both as a weather instrument and a slang term in Portuguese—adds layers of meaning to these floating innate beings. Through its visual and conceptual language, Headwind invites contemplation on the fragility of ecosystems, the urgency of climate awareness and the complexities of human behavior. Headwind is Schirato’s first solo show in the United States.

Events

2270 NW 23rd St. Miami Florida 33142 United States El Espacio 23

A World Far Away, Nearby and Invisibleinvites viewers on a journey through selected works from the Jorge M. Pérez Collection that explore and reimagine the complex, multifaceted idea of territory. The exhibition moves from a conception of territory as layered, tangible ground to one rooted in primordial, earthbound forces—celebrating it as a space where the symbolic and the dreamlike converge. Organized into four chapters, the exhibition weaves together narratives that portray territory as a shared space of affection, magic, and community, where legends and myths meet. These stories form a tapestry of metaphors that, in the words of Mazatec shaman María Sabina, evoke a world that is far away, nearby, and invisible all at once. The works on view at El Espacio 23 suggest territory as a vital force: a living, shifting organism, a refuge, a site of purification, and a space for meaning. In contrast, the landscape emerges as a cultural construct: a subjective gaze that, through aestheticization, fragments and categorizes territory in order to name it. Curated by Claudia Segura Campins in dialogue with curators of the Pérez Collection, Patricia M. Hanna and Anelys Alvarez, A World Far Away, Nearby, and Invisible becomes a dialogue between physical substance and symbolic resonance. Within this conceptual frame, territory is rendered in sharp, unembellished clarity, revealing its political, performative, and transformative dimensions.

Events

95 NW 29 ST Miami Florida 33127 United States Rubell Museum Miami

Filling the museum’s initial seven galleries and presenting over twenty works from the past two decades, Thomas Houseago: First Light marks the first single-artist survey exhibition to take place at the Rubell Museum and will occupy a suite of galleries newly dedicated for this purpose. From eight plaster figures commissioned by the Rubells for the 2006 Red Eye exhibition, to large-scale, collaged paintings created this Fall, the exhibition will elucidate Houseago’s range and psychological intensity across mediums as diverse as wood, bronze, paper, found objects, plaster and paint on canvas.