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Painted Presence: Rembrandt and his Peers | Art Gallery of Ontario
From the Bader Collection at the Agnes Etherington Art Centre, the AGO welcomes a remarkable selection of seventeenth century Dutch paintings. Shown in dialogue with paintings from the AGO’s European Collection of Art, at the centre of this focused installation are seven artworks attributed to Rembrandt van Rijn (1606-1669), shown together for the first time. Featuring intensely observed still life paintings, detailed interiors and mesmerizing portraits, these striking artworks offer a rare glimpse of Dutch artistry at work. This exhibition is co-curated by Adam Harris Levine, AGO Associate Curator European Art and Suzanne van de Meerendonk, Bader Curator of European Art, Agnes Etherington Art Centre.
This exhibition is co-organized by the Art Gallery of Ontario and the Agnes Etherington Art Centre, Queen's University.
"The Modernist Moment" Art Gallery of Ontario Exhibition | Art Gallery of Ontario
Moments in Modernismhighlights the diversity and high quality of the AGO’s modern art collection, which has been built over time by generations of museum curators and patrons.
This installation will show collection strengths from artistic movements such as Pop Art, Abstraction, Realism, and Minimalism. An international approach in artistic styles will be presented, including a body of work from the AGO holdings by Brazilian artists, recognizing the global nature of modernism. A selection of contemporary works that respond to modernist movements will also be shown.
Many of the artists, including Andy Warhol, Helen Frankenthaler, Jules Olitski, Gerhard Richter, and Mark Rothko are well known while others are still yet to be broadly recognized such as Tomie Ohtake, Rubem Valentim, Gene Davis and Kazuo Nakamura.A particular focus will be Canadian artists including Alex Colville, Rita Letendre, Jack Bush, Agnes Martin, Guido Molinari and Norval Morrisseau.
Moments in Modernismfeatures artworks that will form the cornerstone for the expansion of the new Dani Reiss Modern and Contemporary Gallery, starting construction in 2024. The new building is being designed by architects Diamond Schmitt, Selldorf Architects and Two Row Architect to showcase the AGO's growing collection of modern and contemporary art.
Chinese Zodiac Case Year of the Snake | Royal Ontario Museum
As part of our annual zodiac installation, January 29, 2025 ushers in the Year of the Snake (蛇), the sixth animal in the Chinese zodiac. Those born under this sign are believed to be wise and charismatic.
The snake rarely appears as a decorative motif in Chinese art and design, however, when depicted with a tortoise, the pair have come to symbolize the mythical creature Xuanwu (玄武, the Dark Warrior), later evolving into the god Zhenwu (真武, the Perfected Warrior). The snake and tortoise symbolize the interplay of power, wisdom, and harmony of nature.
Experience an exquisite array of snake and tortoise-themed objects and cultural belongings in this specially curated zodiac case. Marvel at impressive ceramics, including a mythical double-headed serpent from the early 500s. This and much more are now on view in this unique display celebrating the powerful snake.
Letendre/Morrisseau | Art Gallery of Ontario
This exhibition brings together two of the 20th century’s greatest painters—Rita Letendre (1928–2021) and Norval Morrisseau (1932–2007). Demonstrating the expressive potential of bold colour and line, these two artists pushed the boundaries of painting.
During a career that spanned over sixty-five years, Letendre used brush, airbrush, palette knife, and her hands to make her work. Vibrating with physical and emotional energy, her paintings, —five of which are on view here, —embody her ongoing quest for connection and understanding.
Morrisseau’s six-panel masterpiece, Man Changing into Thunderbird (1977), illustrates the theme of transformation, an idea central to Anishinaabe philosophy. This painting records the artist’s personal evolution into Miskwaabik Animiiki, or “Copper Thunderbird”, a name he received in a healing ceremony. The name carries connotations of protection, healing, mystery, and power, and Morrisseau used it as his signature. Merging personal narrative with intense colour and elaborate design, Morrisseau called this work, “the ultimate picture for me,” - it is featured here alongside two other works by him from the 1970s.
Oluseye: Orí mi pé | Art Gallery of Ontario
Tracing Blackness through its many migrations and manifestations, the interdisciplinary artist Oluseye blends the ancestral with the contemporary and the physical with the spiritual. Inspired by merindinlogun, a Yoruba divination ritual, Oluseye presents a new installation that illustrates the spiritual, mythological, and biographical elements that have shaped his worldview and art practice.
In Yoruba culture, cowrie shells symbolize wealth and prosperity and are used by diviners to communicate with ancestors and receive guidance. Paying homage to that cultural practice and his own narratives, Oluseye presents 16 large-scale bronze cowrie shells, resting atop a hand-carved divination tray.
Yayoi Kusama's INFINITY MIRRORED ROOM - LET'S SURVIVE FOREVER | Art Gallery of Ontario
For more than 60 years, Japanese artist Yayoi Kusama (born 1929) has invited people to participate in her groundbreaking visions of infinity. Over the past three decades, this prolific experimental artist has become an internationally acclaimed art-world icon, with work presented across the globe.
INFINITY MIRRORED ROOM - LET’S SURVIVE FOREVER features mirrored spheres suspended from the ceiling and arranged on the floor. A mirrored column inside the room invites visitors to peer into a seemingly infinite field of silver orbs.
Thanks to the generosity of over 4,700 #InfinityAGO donors who participated in the AGO's ambitious crowdfunding campaign and the David Yuile & Mary Elizabeth Hodgson Fund, Yayoi Kusama’s INFINITY MIRRORED ROOM - LET’S SURVIVE FOREVER is now a part of the AGO Collection.
SAINTS, SINNERS, LOVERS, AND FOOLS 300 Years of Flemish Masterworks | Royal Ontario Museum
The Southern Netherlands — better known today as Flanders — was home to revolutionary artists such as Peter Paul Rubens, Anthony Van Dyck, Hans Memling, and others. These extraordinary painters found new ways to depict reality, portray humanity, and tell stories that created parallels to their world then - and to our world today.
This large-scale exhibition, featuring over 80 stunning art works and objects — medieval, Renaissance, and baroque paintings, sculptures and more — offers a doorway into the Southern Netherlands of 1400 to 1700, a dynamic environment where new artistic genres and styles were created and flourished. The exhibition's unique presentation introduces the visitor, through these rare, extraordinary artworks, to stories of enterprising townspeople, prosperous cities, and an ever-developing society.
Allison Katz: Inner Momentum | Art Gallery of Ontario
Recipient of the 2023 Gershon Iskowitz Prize at the AGO, Montreal-born, UK-based artist Allison Katz makes her AGO debut with an intimate presentation of new and recent works on canvas. Defying traditional categorization, her paintings merge realism with the fantastic, incorporating wordplay and literary, historical, and autobiographic details to upend viewers’ expectations.
Naoko Matsubara | Art Gallery of Ontario
A career-spanning presentation of 20 exuberant woodcut prints by one of Canada’s leading printmakers, in her first solo exhibition at the AGO, Naoko Matsubara demonstrates her masterful handling of the medium, exploring personal and art historical subjects. Composed of vibrant, complementary colours animated with incisions and wood grain, anchoring the exhibition is Tagasode (2014), a monumental 2 meter single-sheet print, recalling an ikō – a piece of furniture on which a kimono hangs.
Also featured are seven woodcut prints from her series In Praise of Hands (1973-2020). Inspired by the movements of her baby’s hands, in which the artist saw the “very beginnings of human communication fluently expressed in so much variety” this series illustrates the ingenuity of hands performing actions like weaving bamboo, playing the flute and carving wood. Curated by Renée van der Avoird, associate curator of Canadian Art, in addition to a dynamic grouping of more recent, abstract woodcut prints, the exhibition is bookended by two career-spanning self-portraits—one from 1966 (age 29); and the other from 2024 (age 87).
Faye Heavyshield | Art Gallery of Ontario
Faye Heavyshield, recipient of the 2021 Gershon Iskowitz Prize at the AGO, has for more than three decades created powerful installations and sculptures, characterized by repeating forms and motifs, including spirals, circles, grids, and lines. Drawing from personal experience, her work reveals a deep relationship with the land, in particular the Kainai (Blood) Nation in Southern Alberta where she grew up and where she still lives.
For her first solo exhibition at the AGO, Heavyshield will present several works, including a re-staging of her acclaimed 1995–96 multimedia installation Venus as Torpedo. This large-scale installation, with audio in both Blackfoot and English, features assorted clothing items draped over a protruding arm that extends across the museum floor.
This exhibition is curated by Georgiana Uhlyarik, Fredrik S. Eaton Curator of Canadian Art, AGO, and organized by the Art Gallery of Ontario in partnership with the Gershon Iskowitz Foundation.
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