Folded Dimensions: Technology and Art Dual Exhibition | Nanning
Exhibitions
True Color Art Space uses art as a medium and space as a platform, integrating art operations, curatorial practices, public art projects, and professional communication to provide government and corporate clients with comprehensive planning and execution services that combine artistic depth and value.
As a cultural crossroads in the region, Nanning launched the "Folding Latitude: Dual Exhibition of Technology and Art" during the China-ASEAN Expo. Centering on technology and perception, the exhibition creates an experimental space through the interplay of physical coordinates and media practices, showcasing the multidimensional explorations of artists Xu Ge and Zhu Xi in their respective practices.
Xu Ge's works focus on the generation and transformation of perceptual experiences, using time, rhythm, and environment as threads to traverse natural materials, mechanical installations, and AI-generated imagery, creating perceptual spaces that constantly shift between reality and virtuality. Through sound, visuals, and kinetic structures, his pieces evoke psychological resonance in viewers, pointing toward the poetic dimension of existence.
Zhu Xi's works are driven by the interplay of mechanical structures, ordered logic, and chance, transforming materials, light, and space into speculative scenes that interrogate systems and reality. Rooted in the tension between rationality and sensibility, his practice reveals dynamic relationships between individuals and their environment, nature and industry, rules and disruptions—systematically unfolding and refracting the latent variability and ambiguity within the structures of reality.
In the recent explorations of artists Xu Ge and Zhu Xi, they highlight the expansion of media awareness and systems thinking in the new generation of tech-driven art. The works collectively demonstrate the mutual construction between perceptual methods and systemic logic, reflecting contemporary art's theoretical reflections and experimental practices under technological intervention. Simultaneously, they raise new inquiries into future models of perception and cognition.