Popular Events in February 2024(February Updated)

Egypt’s 26th Dynasty (664–526 BCE) was a period of revival and renewal. It marks the last great phase of native pharaonic rule in ancient Egypt and is notable for its exceptional artworks, particularly stone sculpture. The achievements of Egyptian artists of this period are vividly expressed in the sculpted portraits of officials associated with the court and priesthood, which were created to be displayed in tombs and temples. The works in this exhibition are on special loan from the British Museum, London.

"Chen Fushan Studio" uses Chen Fushan's home studio as a reference, and selects his personal belongings from his former residence in Wan Chai, including various household furnishings, hand-painted paintings and collections of books for display, in order to reproduce Chen's living environment and the layout when he was painting. Visitors can take a look at the original appearance of his former creative space outside the glass room, explore Chen's creative world with another visual experience, and gain a deeper understanding of the multiple aspects of this local artist. "Chen Fushan Studio" also leads the audience to review Chen's artistic journey and style development by displaying historical photos and text records about Chen's life, and wander in the story that created the legendary life of the "Watercolor King". Based on the contemporary era, it traces the trajectory of Hong Kong art history from the side.

Artificial lights have become such a common nighttime fixture that we take them for granted. But what do brighter nights mean for people and wildlife? The effects of light pollution extend beyond our reduced view of the stars, but solutions can have an immediate impact. Through more than 100 photographs, nearly 250 objects, interactive experiences, tactile models, and a theater program, discover why the dark night matters, rekindle your connection to the night sky, and consider how much light at night is enough—for whom, for what purpose, and who gets to decide?

explores the rise of Futurism in contemporary Indigenous art as a means of enduring colonial trauma, creating alternative futures, and advocating for Indigenous technologies in a more inclusive present and sustainable future. Over fifty artworks are on display, some interspersed throughout the museum, creating unexpected encounters and dialogues between contemporary Indigenous creations and historic Autry works. Artists such as Andy Everson, Ryan Singer, and Neil Ambrose Smith wittily upend pop-culture icons by Indigenizing sci-fi characters and storylines; Wendy Red Star places Indigenous people in surreal spacescapes wearing fantastical regalia; Virgil Ortiz brings his own space odyssey, to life in a new, site-specific installation. By intermingling science fiction, self-determination, and Indigenous technologies across a diverse array of Native cultures, envisions sovereign futures while countering historical myths and the ongoing impact of colonization, including environmental degradation and toxic stereotypes.

New from the Art Dealer's Room and Columnist series of Contemporary Art & Mix media design featured catalogue Secondary Art Market listings works & Galleries Artworks currently showing online catalogue www.Verisart.com/Andrepace

Artists such as Pablo Picasso, Edgar Degas, Francis Bacon, Leonora Carrington, Jean Arp, Henry Moore, Lucie Rie, Alberto Giacometti, Sonia Delaunay and Amedeo Modigliani are displayed alongside major holdings of art from Oceania, Africa, the Americas, and Asia, the ancient Mediterranean, classical cultures of Egypt, Greece and Rome, and Medieval Europe. Join one of our volunteer guides for a FREE introductory tour of the Sainsbury Collection. These run from Tuesday-Sunday at 2pm, subject to availability. Limited to 15 people, places must be booked at the Visitor Services desk.

Guillaume Bottazzi is producing a painting 16 meters high and 7 meters wide sited at the emblematic Place Jourdan, the most pleasant of Brussels’ squares. With the partnership of European Commission and French Embassy in Belgium The desire of the artist to share leads him to install this outdoor workshop. The artist will paint alone from mid-October during 1 or 2 month. The visitors will be able to see the work in progress in front of them at any time! This painting will have a “dopamine” effect in its appeal to the senses. The work will inspire pleasure and a sense of well-being. Date: from October 26th to End-December 2016 and then permanent on public view.

This May, Vivacity will be proudly re-siting Antony Gormley’s first sculpture commission, Places to Be, 30 years after the piece was first installed at Monkstone House, Peterborough. Due to vandalism at their second location, Peterborough Boat Lake, the figures were removed and held in storage- until now. The piece has been carefully restored by the Artist and Vivacity, and is now ready to be re-shared with the public. Placed on the rooftops of Queensgate Shopping Centre, Leeds Building Society, and Norwich & Peterborough Building Society, the lead, life-sized figures of Antony Gormley’s Places to Be, will find their home within the Peterborough City Centre skyline for public view on the 25th May 2018.

This new exhibition reveals a snapshot in time from 300 million years ago - when a vast tropical swamp covered what is now Wales. The Fossil Swamp had monster plants, giant insects, thunderstorms and floods. Beautifully preserved fossils tell us about these ancient tropical wetlands. Come and see the remains of strange plants which lived millions of years before flowers and fruits ever evolved. The prehistoric animals were also very different to those living today. What strange creatures will you find lurking in the swamp? Some of the fossils on display, including the huge 3D centrepiece Stigmaria, come from the world-class heritage site at Brymbo in north east Wales. The Brymbo fossils reveal exactly how some of these giant plants grew. It’s rare to find these remains preserved in 3D at such size because most plant fossils from other sites come from broken pieces of plants that drifted through the swamp’s waterways. You can also learn about the experts who figured out how these prehistoric plants lived. Finally we show how the story of the fossil swamp links to the fossil fuel and climate problems we face today.

The Pre-Raphaelite artists lived, loved, and worked at the cusp of change for women and, in many ways, this is reflected in their work. Yet these stories are rarely told. Through Tullie House’s superb collections we explore how women were the objects of the artists’ gaze often becoming a symbol for morality. We consider the striking women who featured in the work, and the determined women who created their own. The women who collected and patronised these artists are celebrated along with their important acquisitions. Featuring favourite works by Gabriel Dante Rossetti, Elizabeth Siddal, Edward Burne-Jones, Phoebe Anna Traquair and Arthur Hughes, alongside works never before displayed in our galleries, we look at the pioneering nature of the Pre Raphaelites, asking the question: when before had gender been so central to art?

DIMENSIONS OF SOUND - MUSICAL JOURNEY THROUGH SPACE AND TIME “The ear lies nearest to the human soul.” (Johann Gottfried Herder, „Kritische Wälder”, 1769 ) The House of Music, Hungary is a tree of life in the heart of Városliget, with a trunk, and a crown of golden leaves on slender branches. We are standing here by its roots, which provide the institution with its spiritual sustenance. The roots are entwined, like a labyrinth, and we walk among them. Our journey begins far back in time and space, back at the birth of music itself where we can grasp the roots of Hungarian folk music and European music. Progressing through the centuries, we will follow the development of music, discovering what a series of organised tones has meant to mankind, with the emphasis on Hungarians in the light—or sometimes the shadow—of Europe. Through the language of music, the exhibition speaks for itself: Everywhere we go, we hear music playing; the subject of the exhibition is music itself. Quoting Shakespeare, we might say, “Mark the music!” Mark not only the music coming from the headphones, but also the music around and within you. When you reach the end of the path, the modern day, many sounds will have been etched into your heart and mind: music to take home with you, the music of ancient times.

The Berlinische Galerie has devoted over 1000 square metres to presenting its collection. Waiting to be discovered among the roughly 250 works on show are paintings, prints, photographs, architecture and archive materials rarely or never displayed before. Walking around this exhibition is like time travel and takes visitors through Berlin in 17 chapters: the Kaiser’s era, the Weimar Republic, the Nazi dictatorship, the new beginnings after 1945, Cold War in the divided city, and the counter-cultures and unconventional lifestyles that evolved in East and West under the shadow of the Wall. In East Berlin, an alternative art community developed from the late 1970s. In West Berlin from the late 1970s, aggressive art by the “Neue Wilden” placed the divided city back in the international limelight.

Newark, NJ – March 9, 2023 — Mayor Ras J. Baraka was joined by First Lady Tammy Murphy, State Senate Majority Leader M. Teresa Ruiz, and numerous other dignitaries today to unveil a new monument honoring Harriet Tubman and pay homage to the city’s role in the Underground Railroad along with the Black liberation movement’s rich history in the area. The ceremony also observed Harriet Tubman Day, which is tomorrow. The monument stands in Harriet Tubman Square, at the intersection of Washington and Broad Streets, in downtown Newark.

This exhibition offers a new, revealing look at the world-class Portland Collection of art. The museum will be filled to the brim with fascinating art and objects, a giant cabinet of curiosities. There will be silver and tapestry, paintings and jewels; art that has come home after a long loan to a prestigious national gallery, and stunning star items that visitors know and love – such as Michelangelo’s ‘Madonna of Silence’ or the pearl earring worn by Charles I at his execution. A highlight of the display is a Picture Gallery, stacked with Tudor and Jacobean portraits – many of which have never been seen publicly before.

LAS Art Foundation is pleased to present Pollinator Pathmaker, a living artwork and participatory project conceived by artist Alexandra Daisy Ginsberg. This impactful initiative in interspecies art uses algorithmic technology to generate planting schemes for gardens, computed to support the greatest diversity of pollinating insects possible. It signals a shift toward the post-anthropocentric thinking necessary to face the current climate and biodiversity crises, and toward the non-human aesthetics and experimental formats that pave the way. Ambitious and future-minded, it is exemplary of how art can act as a driver for change, and offer new perspectives on our shared planet. Growing in the forecourt of the Museum für Naturkunde Berlin, the LAS- commissioned garden will be the first edition outside of the UK. LAS has committed to amplifying Pollinator Pathmaker’s impact by undertaking an extensive public campaign, which calls upon local communities, hobby gardeners and activists to get involved in pollinator protection by planting their own version of the artwork – what the artist refers to as DIY Editions – via Ginsberg’s free online tool: www.pollinator.art. Responding to the alarming decline in pollinator populations in recent decades, Ginsberg has worked with horticulturalists, pollinator experts and an AI scientist to devise an algorithmic tool that designs bespoke gardens for pollinating insects. Supported by the Museum für Naturkunde Berlin, the LAS Edition will be customised for Continental Europe, and will feature more than 7,000 plants of 80 different varieties, planted over a 722-square-metre plot.

A Traveler’s Guide to Mettlach: Villeroy and Boch showcases everyday life in the 1800s Mettlach, Germany. Scenes of everyday life in Mettlach have been documented and celebrated by Villeroy and Boch, a ceramic production company founded in 1836 when Jean François Boch and Nicolas Villeroy merged their ceramic businesses into what is now known as Villeroy and Boch. The workers of the Mettlach factory came from diverse backgrounds, including art studios, archives, and museums. The varied backgrounds of the factory workers contributed to the artistic achievements of the Villeroy and Boch company. The Mettlach collection reflects German cultural experiences, societal interpretations, and mythology. This exhibition shows scenes of love and relationships as well as larger themes of fantasy, offering an all-encompassing snapshot of the myriad facets of human life within Mettlach. A Traveler’s Guide to Mettlach, on view in the Robert and Colette Wilson Gallery through June 2025, presents concepts of life, laughter, relationships, and the day-to-day existence of the German people.

How do elephants “hear” with their feet? Use the 40,000 muscles in their trunks? Or reshape the forests and savannas they live in, creating an environment upon which many other species rely? The Secret World of Elephants reveals new science about both ancient and modern elephants, including elephants’ extraordinary minds and senses, why they’re essential to the health of their ecosystems, and inspiring efforts to overcome threats to their survival.

How do elephants “hear” with their feet? Use the 40,000 muscles in their trunks? Or reshape the forests and savannas they live in, creating an environment upon which many other species rely? The Secret World of Elephants reveals new science about both ancient and modern elephants, including elephants’ extraordinary minds and senses, why they’re essential to the health of their ecosystems, and inspiring efforts to overcome threats to their survival.

The "Reflections & Inspirations from Emirati Heritage" exhibition is the result of a collaboration between Sharjah Heritage Museum and University of Sharjah's College of Fine Arts and Design. The exhibition includes 54 artworks that shed light on students' interpretations of Emirati heritage, created with a variety of materials and ideas to express the students' feelings and thoughts about heritage design elements and inscriptions. The works were overseen by a number of distinguished professors from the College of Fine Arts and Design, representing various artistic disciplines. The exhibition aims to help students understand heritage concepts, form a unique perception of tangible and intangible heritage elements, and creatively translate this perception through artistic works that reflect the heritage character.

The display has been organized by the State Hermitage in conjunction with the Erebuni Historical and Archaeological Museum-Reserve and is the first exhibition under a collaboration agreement between the two museums. Over the course of a year, within the permanent display of the Oriental Department, visitors will be able to see a representational presence of the Erebuni museum and acquaint themselves with three exhibits from its stocks. A special place among these is taken by a basalt block bearing a cuneiform inscription of King Argishti I about the foundation of Erebuni.

Japanese artist Takahashi Hiromitsu creates dynamic, colourful prints showing exciting moments in kabuki, a traditional form of dance-drama. This is the second show in a two-part exhibition of his works in Gallery 29. Hiromitsu’s striking designs are not portraits of actual actors, but visualisations of famous kabuki roles. In kabuki, performers wearing elaborate costumes and make-up use stylised movement and song to enact melodramatic stories about love, loyalty and the clash between duty and emotion.

The Louvre’s Department of Near Eastern Antiquities is hosting ten major works from New York’s Metropolitan Museum of Art, whose Department of Ancient Near Eastern Art is currently closed for renovation. The Louvre and The Met have created a unique dialogue between these two collections, which is displayed in the Louvre’s permanent galleries. These ‘special guest’ artworks from The Met, dating from between the late 4th millennium BC and the 5th century AD, show some remarkable connections with the Louvre’s collection. In some cases, a pair of objects has been reunited for the first time, while in others, pieces complement each other by virtue of specific historical features of their respective collections. Representing Central Asia, Syria, Iran and Mesopotamia, this dialogue between collections is (re)introducing visitors to these extraordinary, age-old works of art and the stories they tell.

Created by artist and sculptor Carole Vincent the artwork features a large sundial design and fountain. The artwork was commissioned by Plymouth City Council as part of the pedestrianisation of the City Centre in 1987. The work was officially launched on 22 July 1988 by Queen Elizabeth II and commemorates the ‘Armada 400’ celebrations in the city. (Image courtesy of Plymouth Herald image archive) Cast in concrete with Terrazzo and stainless steel, the sundial also features 12 plinths around the outside. Information panels on top of the stone plinths offer in detail ways to ‘read’ the sundial in a range of different languages. The information plinths were made a particular feature of in 2010 when they were covered with decorative textiles as part of ‘Mrs Smith’s hit on Plymouth sundial’ – a secret commission by Plymouth College of Art. Guerrilla textiles installed overnight to the surprise of the public! The sundial is set to G.M.T which differs in the summer (B.S.T) by one hour in advance. The sun is also due south in Plymouth 17 minutes later than it is at Greenwich; therefore at some points of the year the dial runs 1 hour 17 minutes behind G.M.T. About the Artist Carole Vincent (1939-2019) was an artist working in concrete. She lived and worked in Boscastle, Cornwall. Painter as well as sculptor, she explored the use of natural colour and texture in concrete for sculpture. Her work with pigments achieved remarkable success, opening new doors to architects, engineers and planners. Her passion was to work on commissions for specific environments, ranging from public spaces to individual buildings and gardens.

Artist Ian McChesney created two opposing sculptural forms hand carved from solid granite, designed to resemble nautical bollards. Project Description Ian McChesney’s sculptures are a tribute to Plymouth’s maritime heritage and the many historic voyages that are part of Plymouth’s history as well as our own personal journeys. Each part is a two-tonne piece of granite from De Lank quarry (in nearby Bodmin), carved smoothly with a tactile appeal. McChesney was awarded the commission following an open brief competition led by Peninsula Arts, the arts and culture public programming organisation for University of Plymouth. The university started as a School of Navigation in 1862 and 2012 marked their 150th anniversary. The work was unveiled as part of the programme of year long celebrations in which more than 50,000 people took part.

A walkway, which has extended the coastal path through Plymouth, comprises a distinctively marked trail across 9.3 miles designed to enhance the rich social, industrial and naval history of Plymouth. This is an entertaining and engaging walk where art is used to highlight the city's history and heritage. The Plymouth Waterfront Walkway was developed by the City Council in 2002 as a unique part of the South West Coast Path National Trail. It links the Cremyll Ferry landing stage on the shores of the Tamar with Jennycliff on the eastern side of Plymouth Sound. Along the way you’ll come across larger than life characters such as Sir Arthur Conan Doyle, Isambard Kingdom Brunel, Robinson Crusoe and Lawrence of Arabia. Then there’s the wall of stars, a golden scallop, a ten ton rhino and so much more. The features were created by the artists of Why Not Associates, and bring to life many of the stories that make Plymouth special.

The mural is made up of varying sizes and textures of ceramic tiles in a mosaic design which highlights Plymouth’s agricultural and naval heritage. The differing glazes and patterns woven into the design represent the rich detail and description on the original maps. The work was initially unveiled by HRH Princess Anne in an underpass on the Drakes Circus site; but relocated in 2007 when the area was redeveloped into a new shopping centre.

A mirrored panel behind the figure reflects a warped vision of the work to represent the impact and distortion that war has on all ordinary life but particularly civilians and children. Commissioned by the University of Plymouth, the sculpture is located behind the University’s Portland Square Building as a memorial to those who lost their life at the site during the Second World War. The night of 22–23 April 1941 saw Plymouth’s heaviest loss of civilian life in a single incident in which 76 people are known to have died. The 'Hope' memorial sculpture is a lasting testament to those who tragically lost their lives that night in the underground bomb shelter, sited on what is now the University campus. The sculpture design itself was inspired by the harrowing account Favata was told by Portland Square Historian Tony Rees. He recounted the tale of a young couple who, on the night of the terrible bombing, sent their child to Plympton to be cared for. Sadly they died in the blast. As well as a symbol of hope; the sculpture stands as a tribute to the enduring spirit of the community. Favata said:“I wanted to make a statement about the tenacity of the people of Plymouth... When I learned about the disaster I started to think about all the wars Plymouth has gone through–the Armada, the civil war, the Napoleonic war, the First and Second World Wars–and I was struck by how much upheaval the people of Plymouth have survived.”

The sculpture is made of corten steel (a weathering steel) which gives it the appearance of rusting over time.‘Spare, simple, strong and timeless… its scale always totally in charge of its setting’ are words that have been used to describe the sculpture. Ann Christopher once said:‘I am drawn to the contemplative and calm image and that is what I strive for – journeys of discovery – journeys into the mind.’

The pub was demolished in the 1990s but the sign remained as a symbol for the community. The artist worked with the local residents and school to refurbish the sign with a new design inspired by memories of the pub and its landlord.